"Works For Cello: Andante Cantabile. Adapted From The First String Quartet #1, Op. 11" by Alexander Rudin / Instrumental Ensemble "Musica Viva", Conductors: Nikolay Alekseyev & Alexander Rudin had its release date on 1994. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Tchaikovsky: Works For Cello And Orchestra. Serenade For Strings.". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Works For Cello: Andante Cantabile. Adapted From The First String Quartet #1, Op. 11's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Works For Cello: Andante Cantabile. Adapted From The First String Quartet #1, Op. 11 by Alexander Rudin / Instrumental Ensemble "Musica Viva", Conductors: Nikolay Alekseyev & Alexander Rudin having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244 / Part Two: "Erbarme dich" | Johann Sebastian Bach, Anne Sofie von Otter, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 1 | 10A | 93 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino | Frédéric Chopin, Stanislav Bunin | F♯ Major | 0 | 2B | 68 BPM | ||
Cello Sonata in E Minor, Op. 14 No. 5, RV 40 (Arr. for Cello & Orchestra): III. Largo | Anonymous , Antonio Vivaldi, Pavel Ulanicki, Cologne New Philharmonic Orchestra, Volker Hartung | E Minor | 0 | 9A | 71 BPM | ||
Symphony No.5 In C Minor, Op.67: 4. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 86 BPM | ||
Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Mozart: Concerto for Flute and Harp in C Major, K. 299: I. Allegro | Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 126 BPM | ||
Legende, Op. 17 | Henryk Wieniawski, Miklos Szenthelyi, Budapest Philharmonic Orchestra, György Gyorivanyi-Rath | G Minor | 1 | 6A | 77 BPM |