"Hippolyte et Aricie / Act 3: Cruelle mère des amours" by Jean-Philippe Rameau, Dame Janet Baker, English Chamber Orchestra, Anthony Lewis was released on January 1, 1994. Hippolyte et Aricie / Act 3: Cruelle mère des amours is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 4 out of 16 in Bach/Purcell/Rameau/Cavalli/Ravel/Chausson - Janet Baker by Dame Janet Baker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hippolyte et Aricie / Act 3: Cruelle mère des amours is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hippolyte et Aricie / Act 3: Cruelle mère des amours by Jean-Philippe Rameau, Dame Janet Baker, English Chamber Orchestra, Anthony Lewis is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation V | Franz Schubert, Andreas Staier, Alexander Melnikov | E♭ Major | 0 | 5B | 66 BPM | ||
Rameau: Nouvelles suites de pièces de clavecin, Suite en sol: XIV. Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud | G Minor | 2 | 6A | 100 BPM | ||
Passagaglia for solo violin from “Rosenkrantz Sonaten” | Heinrich Ignaz Franz von Biber, Thibault Noally | F♯ Minor | 2 | 11A | 77 BPM | ||
Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Arcadi Volodos | B Minor | 0 | 10A | 69 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM |