"Roméo et Juliette / Act 2: Entr'acte" by Charles Gounod, Orchestra del Teatro Carlo Felice, Fabio Luisi was released on January 1, 2012. The duration of Roméo et Juliette / Act 2: Entr'acte is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Roméo et Juliette / Act 2: Entr'acte's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Gounod, Andrea Bocelli, Maite Alberola, Coro del Teatro Carlo Felice, Orchestra del Teatro Carlo Felice, Fabio Luisi's "Gounod: Roméo et Juliette" album is number 16 out of 53. On top of that, Italy appears to be the country where this track was created. Roméo et Juliette / Act 2: Entr'acte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Roméo et Juliette / Act 2: Entr'acte by Charles Gounod, Orchestra del Teatro Carlo Felice, Fabio Luisi to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Salut d' Amour, Op. 12 | Edward Elgar, Min Kym | E Major | 1 | 12B | 86 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) | Nora Shulman, Judy Loman, Erik Satie, Donald Sosin | G Major | 1 | 9B | 69 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Faust, CG 4, ICG 61, Act II: "Merci de ta chanson!" (Chœur, Valentin, Wagner, Méphistophélès, Siebel) | Charles Gounod, Metropolitan Opera Orchestra, Fausto Cleva, Metropolitan Opera Chorus, Frank Guarrera, Lawrence Davidson, Cesare Siepi | E Major | 2 | 12B | 124 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
Estrellita | Manuel Ponce, Nikolaj Znaider | F♯ Major | 1 | 2B | 103 BPM | ||
Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM |