"Время, вперёд!: VI. Время, вперёд" by Georgy Sviridov, Vladimir Fedoseyev, Большой симфонический оркестр Центрального телевидения и Всесоюзного радио was released on November 9, 2018. The duration of Время, вперёд!: VI. Время, вперёд is about 3 minutes long, at 3:25. Based on our data, "Время, вперёд!: VI. Время, вперёд" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in Георгий Свиридов: Избранное, so we believe that "Время, вперёд!: VI. Время, вперёд" is a single. Время, вперёд!: VI. Время, вперёд is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Время, вперёд!: VI. Время, вперёд by Georgy Sviridov, Vladimir Fedoseyev, Большой симфонический оркестр Центрального телевидения и Всесоюзного радио is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade Suite: Nocturne | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 1 | 11B | 105 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | ||
Russia Cast Adrift (Arr. E. Stetsyuk for Voice, Ensemble & Orchestra): No. 6, Simon, Peter... Where Are You? Come to Me | Georgy Sviridov, Dmitri Hvorostovsky, St. Petersburg State Symphony Orchestra, Style of Five, Constantine Orbelian | A♭ Major | 2 | 4B | 90 BPM | ||
Allegri: Miserere - 04. Ecce Enim Veritatem | The Tallis Scholars, Peter Phillips | G Minor | 0 | 6A | 71 BPM | ||
Requiem, Op. 48: II. Kyrie | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 1 | 6B | 65 BPM | ||
Crisantemi | Giacomo Puccini, Brodsky Quartet | F♯ Minor | 0 | 11A | 70 BPM | ||
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM |