George Frideric Handel, Angela Hewitt's ' "Suite No. 2 in F Major, HWV 427: III. Adagio" was released on its scheduled release date, September 1, 2009. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Suite No. 2 in F Major, HWV 427: III. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Angela Hewitt, George Frideric Handel, Joseph Haydn's "Handel & Haydn: Handel Suites 2 & 8; Haydn Sonata No. 52 etc." album is number 4 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Suite No. 2 in F Major, HWV 427: III. Adagio's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Suite No. 2 in F Major, HWV 427: III. Adagio by George Frideric Handel, Angela Hewitt to be Allegro (fast, quick, and bright) because the track has a tempo of 143 テンポ, a half-time of 72テンポ, and a double-time of 286 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 5, Menuet in G Minor [Attrib. J.S. Bach's BWV Anh. 115] | Christian Petzold, Giovanni Mazzocchin | C Minor | 1 | 5A | 180 BPM | ||
Corrente quarta | Girolamo Frescobaldi, Luc Beauséjour | G Minor | 2 | 6A | 73 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: III. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 1 | 3A | 110 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: IV. Vivace | Georg Philipp Telemann, The English Concert, Trevor Pinnock | D Minor | 2 | 7A | 82 BPM | ||
Flute Concerto in D Minor, QV 5:81: I. Allegro e con spirito | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | C Minor | 1 | 5A | 92 BPM | ||
Viola d'amore Concerto in D Major, RV 392: I. Allegro | Antonio Vivaldi, Catherine Mackintosh, Orchestra of the Age of Enlightenment | D♭ Major | 2 | 3B | 104 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Keyboard Sonata in C Minor, Kk. 11 | Domenico Scarlatti, Alon Goldstein | D Major | 1 | 10B | 107 BPM | ||
8 Violin Sonatas and 4 Concertos, Op. 7, No. 2 in E Minor: II. Allegro | Michele Mascitti, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 2 | 2A | 115 BPM |