"Tannhäuser, WWV 70, Act III: "Allmächt'ge Jungfrau, hör' mein Flehen!"" by Maria Jeritza was released on January 1, 2000. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 12 in Court Opera Classics by Maria Jeritza. In terms of popularity, Tannhäuser, WWV 70, Act III: "Allmächt'ge Jungfrau, hör' mein Flehen!" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tannhäuser, WWV 70, Act III: "Allmächt'ge Jungfrau, hör' mein Flehen!" by Maria Jeritza is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wie nahte mir der Schlummer (Der Freischütz) | Maria Jeritza | E Major | 2 | 12B | 102 BPM | ||
Otello: Oh Dio! Qual mal strepito è questo! | Gioachino Rossini, Hera Hyesang Park, Emily D'Angelo, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 4, Schmerzen | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Orchestre Symphonique de Montréal, Rafael Payare, Sonya Yoncheva | F Major | 0 | 7B | 131 BPM | ||
Hubička, JB 1:104 "The Kiss": Vendulka's Lullaby, Hajej, Můj Andílku "Hush-a-Bye, My Angel" | Opera Australia Orchestra, Nicole Car | A Minor | 1 | 8A | 68 BPM | ||
Fausto, Act IV: Stretta. A morte vergognosa! | Louise Bertin, Karine Deshayes, Les Talens Lyriques, Christophe Rousset | B Major | 5 | 1B | 98 BPM | ||
Cendrillon: Ah! Douce enfant | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B Major | 0 | 1B | 91 BPM | ||
Benatzky & Stolz: Im weißen Rößl: "Mein Liebeslied muss ein Walzer sein" (Doktor Siedler, Ottilie) | Ralph Benatzky, Robert Stolz, Diana Damrau, Jonas Kaufmann, Ernst Theis, Das Münchner Rundfunkorchester | C Major | 2 | 8B | 92 BPM | ||
La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - So hold, so reizend und engelsmild [Un Dì, Felice, Eterea] (Alfred, Violetta) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter/Rudolf Schock, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | F Major | 1 | 7B | 63 BPM | ||
La forza del destino, Act II, Scene I: Padre Eterno, Signor, pietà di noi! | Giuseppe Verdi, Dinara Alieva, Anna Maria Chiuri, Cristiano Olivieri, Tiziano Tassi, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | G Major | 1 | 9B | 100 BPM |