"2 Arabesques, L. 66: 1. Andantino con moto in E Major" by Claude Debussy, Hélène Grimaud was released on December 17, 2020. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "light academia classical" album is number 28 out of 50. In terms of popularity, 2 Arabesques, L. 66: 1. Andantino con moto in E Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Arabesques, L. 66: 1. Andantino con moto in E Major by Claude Debussy, Hélène Grimaud to be Andante (at a walking pace) because the track has a tempo of 105 テンポ, a half-time of 52テンポ, and a double-time of 210 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Debussy: Chansons de Bilitis, Musique de scène, CD 102, L. 96: VI. Bilitis | Claude Debussy, Nash Ensemble, Delphine Seyrig, Marisa Robles, Lionel Friend | E Major | 0 | 12B | 50 BPM | ||
Le gladiateur: Invocation: Baal, source de feu… et scene (Narbal, Fulvie) | Claude Debussy, Guylaine Girard, Bernard Richter, Alain Buet, Brussels Philharmonic, Herve Niquet | B Major | 4 | 1B | 69 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Debussy / Arr. Smith & Denisov: Rodrigue et Chimène, CD 80, L. 72, Act 3: "Justice, mon seigneur!" (Chimène, Don Diègue, Don Pèdre, Le Roi) | Claude Debussy, Kent Nagano, Donna Brown, Jean Delescluse, José van Dam, Vincent Le Texier, Orchestre de l'Opéra de Lyon | C Major | 2 | 8B | 101 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM |