Patti LaBelle, Mariah Carey made "Got To Be Real - Live (1998 Hammerstein Ballroom)" available on January 1, 1998. The duration of Got To Be Real - Live (1998 Hammerstein Ballroom) is about 3 minutes long, at 3:24. Based on our data, "Got To Be Real - Live (1998 Hammerstein Ballroom)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Patti LaBelle's "Live! One Night Only" album is number 7 out of 22. In terms of popularity, Got To Be Real - Live (1998 Hammerstein Ballroom) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Got To Be Real - Live (1998 Hammerstein Ballroom) by Patti LaBelle, Mariah Carey to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ain’t Nobody - The Voice Performance | Saràyah | F Minor | 9 | 4A | 105 BPM | ||
How Could You Call Her Baby - from Waiting to Exhale - Original Soundtrack | Shanna | F♯ Major | 4 | 2B | 188 BPM | ||
As We Lay | Shirley Murdock | A♭ Major | 3 | 4B | 72 BPM | ||
This Bitter Earth | Miki Howard | A♭ Major | 3 | 4B | 76 BPM | ||
I Still Love You | Shirley Murdock | C Major | 6 | 8B | 85 BPM | ||
The First Night | Monica | D♭ Minor | 8 | 12A | 152 BPM | ||
From The Bottom Of My Heart | Stevie Wonder | B Minor | 8 | 10A | 87 BPM | ||
Good Morning Heartache | Miki Howard | E Minor | 3 | 9A | 111 BPM | ||
Ain't Nothing Like The Real Thing | Boyz II Men, Patti LaBelle | C Major | 8 | 8B | 183 BPM | ||
Tonight | Kem | A Major | 3 | 11B | 182 BPM |