Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini's 'Stabat Mater, RV 621: VI. Pro peccatis suae gentis' came out on 1995. With Stabat Mater, RV 621: VI. Pro peccatis suae gentis being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Stabat Mater by Antonio Vivaldi, Chiara Banchini, Ensemble 415, Andreas Scholl. The song's track number on the album is #18 out of 21 tracks. Based on our data, France was the country where this track was produced or recorded. Stabat Mater, RV 621: VI. Pro peccatis suae gentis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Stabat Mater, RV 621: VI. Pro peccatis suae gentis by Antonio Vivaldi, Andreas Scholl, Ensemble 415, Chiara Banchini has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Stabat Mater, RV 621: VI. Pro peccatis suae gentis being at 69 テンポ, the half-time would be 34 テンポ with a double-time of 138 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Rinaldo: Ah! Crudel (Aria) | George Frideric Handel, Alan Curtis | F♯ Minor | 0 | 11A | 141 BPM | ||
Pergolesi: Stabat Mater: II. Cujus animam gementem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | G Major | 1 | 9B | 103 BPM | ||
An den Schlaf | Johann Valentin Görner, Andreas Scholl, Karl-Ernst Schröder, Alix Verzier, Markus Markl | F♯ Major | 0 | 2B | 78 BPM | ||
Water Music, Suite No. 1, HWV 348: No. 2, Adagio e staccato | George Frideric Handel, Akademie für Alte Musik Berlin | A Major | 0 | 11B | 35 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Bach, CPE: Flute Concerto in D Minor, Wq 22, H. 425: III. Allegro di molto | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | F Major | 3 | 7B | 84 BPM |