"Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Strings)" by Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks was released on June 18, 2021. The duration of Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Strings) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Strings)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 21 in Blue Hour: Mendelssohn Edition by Felix Mendelssohn, Andreas Ottensamer, Yuja Wang, Julien Quentin, Schumann Quartett, Gunars Upatnieks. Based on our statistics, Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Strings)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lieder ohne Worte, Op. 67: No. 5 Moderato (Arr. Ottensamer for Clarinet and Strings) by Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks is Allegro (fast, quick, and bright), since this song has a tempo of 128 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Minor for Cello and Piano, Op. 19: III. Andante | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E♭ Major | 0 | 5B | 87 BPM | ||
3 Romances For Violin And Piano, Op. 22: 2. Allegretto | Clara Schumann, Clara Jumi Kang, Yeol Eum Son | A♭ Major | 1 | 4B | 107 BPM | ||
Sonata No. 1 for Violin and Piano in A Major, Op. 13: II. Andante | Gabriel Fauré, Rafał Blechacz, Bomsori | G Major | 0 | 9B | 59 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Pierné: Pièce, Op. 5 | Gabriel Pierné, François Leleux, Emmanuel Strosser | B♭ Major | 1 | 6B | 95 BPM | ||
6 Romances Russes: No. 6 in D Minor (after Dargomizhsky) | Adolf von Henselt, Sergio Gallo | D Minor | 0 | 7A | 71 BPM | ||
String Quartet No. 2 in A Minor, Op. 35: II. Variation 4: Vivace | Anton Arensky, Ying Quartet | E Minor | 1 | 9A | 166 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM | ||
Franck: Cello Sonata in A Major: I. Allegretto ben moderato | César Franck, Daniel Müller-Schott/Robert Kulek | F♯ Minor | 0 | 11A | 63 BPM | ||
Klavierstück in C Major - 1 | Anton Webern, Jean-Jacques Dünki | A Minor | 0 | 8A | 70 BPM |