On February 5, 2016, the song "Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XV. [Rigaudon 2] - XIV. [Rigaudon 1]" was released by George Frideric Handel, Akademie für Alte Musik Berlin. With Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XV. [Rigaudon 2] - XIV. [Rigaudon 1] being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Akademie für Alte Musik Berlin's "Handel: Water Music" album is number 15 out of 21. Based on our statistics, Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XV. [Rigaudon 2] - XIV. [Rigaudon 1]'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XV. [Rigaudon 2] - XIV. [Rigaudon 1] by George Frideric Handel, Akademie für Alte Musik Berlin to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: I. Intrada-Grave | Georg Philipp Telemann, Akademie für Alte Musik Berlin | F♯ Major | 0 | 2B | 98 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : II. Adagio | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana | B Minor | 0 | 10A | 142 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Sinfonia in B Minor, RV 169, "Al Santo Sepolcro": Adagio molto - Allegro ma poco | Antonio Vivaldi, Akademie für Alte Musik Berlin | B Major | 1 | 1B | 77 BPM | ||
Concerto pour violoncelle No. 6 en ré majeur, G. 479: I. Allegro | Luigi Boccherini, Ophélie Gaillard, Pulcinella Orchestra | A Major | 1 | 11B | 82 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM |