"Pohádka, JW VII/5 "Fairy Tale": II. Con moto" by Matt Haimovitz, Christopher O'Riley was released on February 5, 2016. With this song being about 5 minutes long, at 4:30, "Pohádka, JW VII/5 "Fairy Tale": II. Con moto" by Matt Haimovitz, Christopher O'Riley is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 27 in the song's album "Shuffle. Play. Listen". In this album, this song's track order is #3. Based on our statistics, Pohádka, JW VII/5 "Fairy Tale": II. Con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pohádka, JW VII/5 "Fairy Tale": II. Con moto by Matt Haimovitz, Christopher O'Riley having a テンポ of 140 with a half-time of 70 テンポ and a double-time of 280 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Mädchen und der Engel, Pt. 2: Chapter 10b, Der Osten trägt ein Kleid aus Blättern | Luna Pearl Woolf, Cornelia Funke, Matt Haimovitz, Uccello | D Major | 2 | 10B | 74 BPM | ||
3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | ||
Quatuor pour la fin du temps, I/22: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, David Krakauer, Jonathan Crow, Matt Haimovitz, Geoffrey Burleson | E Major | 0 | 12B | 85 BPM | ||
Angel Heart, Pt. 2: Chapter 11a, Russian Lullaby (Arr. L. Spratlan for Voice & Ensemble) | Irving Berlin, Frederica von Stade, Caterina Lichtenberg, Mike Marshall, Matt Haimovitz, Uccello | A Minor | 2 | 8A | 84 BPM | ||
Flow My Tears (Lachrimae) | John Dowland, Attacca Quartet | A Minor | 0 | 8A | 138 BPM | ||
Ellis Island | Meredith Monk, Bruce Brubaker, Ursula Oppens | A Minor | 1 | 8A | 134 BPM | ||
Martynov: "Come in!", Movement II | Vladimir Martynov, Gidon Kremer | A Major | 1 | 11B | 82 BPM | ||
Lieder ohne Worte, Book 2, Op. 30: No. 6 in F-Sharp Minor, MWV U110 "Venetianisches Gondelleid" | Felix Mendelssohn, Denis Kozhukhin | F♯ Minor | 0 | 11A | 67 BPM | ||
Mozart-Adagio | Arvo Pärt, Angèle Dubeau, La Pietà | F Minor | 0 | 4A | 82 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM |