Antonín Dvořák, Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger made "Dvořák: String Sextet in A Major, Op. 48, B. 80: II. Dumka. Elegie" available on August 13, 2002. Since Dvořák: String Sextet in A Major, Op. 48, B. 80: II. Dumka. Elegie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Dvořák: String Sextet, Op. 48 - Tchaikovsky: Souvenir de Florence by Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Dvořák: String Sextet in A Major, Op. 48, B. 80: II. Dumka. Elegie's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Dvořák: String Sextet in A Major, Op. 48, B. 80: II. Dumka. Elegie by Antonín Dvořák, Sarah Chang, Bernhard Hartog, Wolfram Christ, Tanja Christ, Georg Faust, Olaf Maninger is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
Sonata For Piano And Violin In E Minor, K.304: 1. Allegro | Wolfgang Amadeus Mozart, Hilary Hahn, Natalie Zhu | E Minor | 2 | 9A | 86 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM |