"Uspud, Act I (Version for Piano): Nos. 11-12, Uspud etonne prend du sable et s'en frotte" by Erik Satie, Alessandro Simonetto was released on December 10, 2021. With Uspud, Act I (Version for Piano): Nos. 11-12, Uspud etonne prend du sable et s'en frotte being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 56 in the song's album "Satie: Esoteric Works, Vol. 2 – Vexations, Uspud, Messe des pauvres". In this album, this song's track order is #10. Based on our statistics, Uspud, Act I (Version for Piano): Nos. 11-12, Uspud etonne prend du sable et s'en frotte's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Uspud, Act I (Version for Piano): Nos. 11-12, Uspud etonne prend du sable et s'en frotte by Erik Satie, Alessandro Simonetto having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Light She Brings | Joep Beving | D Minor | 0 | 7A | 54 BPM | ||
Nocturnes, Op. 9, No. 2 in E-Flat Major | Olga Scheps | B♭ Major | 0 | 6B | 65 BPM | ||
Gymnopedie No. 1 | Takashi Yoshimatsu, Erik Satie, Pascal Rogé | G Major | 0 | 9B | 69 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
Constellation of Future Memories (Constelación de los Recuerdos Futuros) | Julián Fueyo | D Minor | 0 | 7A | 78 BPM | ||
Lagoon of Forgotten Dreams (Laguna de los Sueños Olvidados) | Julián Fueyo | D Minor | 0 | 7A | 77 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM |