Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson made "Old American Songs I: V. I Bought me a Cat (Arr. I. Fine)" available on May 27, 2008. The duration of Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Old American Songs I: V. I Bought me a Cat (Arr. I. Fine)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 15 in Copland: The Tender Land Suite / Piano Concerto / Old American Songs (Arr. for Chorus) by Aaron Copland, Robert Hanson, Elgin Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Old American Songs I: V. I Bought me a Cat (Arr. I. Fine) by Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem for the Living: V. Lux Aeterna | Dan Forrest, Bel Canto Company, Donovan Elliot, Jeremy Whitener, Welborn Young | A Major | 2 | 11B | 127 BPM | ||
Carmina Burana: XIX. Si puer cum puellula | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | B Minor | 1 | 10A | 74 BPM | ||
Belshazzar's Feast: Thus spake Isaiah | William Walton, Christopher Purves, Huddersfield Choral Society, Leeds Philharmonic Chorus, Laudibus, English Northern Philharmonia, Simon Lindley, Paul Daniel | B♭ Major | 1 | 6B | 132 BPM | ||
Thanksgiving Music: III. In Commendation of Music | Robert Hanson, Sarah Leonard, Jonathan Powell | F Minor | 1 | 4A | 70 BPM | ||
Walden Pond: IV. Extolling | Dominick Argento, Henry David Thoreau, St. Charles Singers, Jeffrey Hunt | E Minor | 0 | 9A | 90 BPM | ||
Maurice Duruflé: Ubi caritas | Maurice Duruflé, Schola Cantorum, Tone Bianca Sparre Dahl | E♭ Major | 0 | 5B | 87 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: II. Sanctus | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 127 BPM | ||
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Songs of Travel: The Vagabond | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | B♭ Minor | 1 | 3A | 107 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM |