Johann Sebastian Bach, Ophélie Gaillard made "Suite n. 1 in G major, BWV 1007: I. Prelude" available on April 12, 2011. The duration of Suite n. 1 in G major, BWV 1007: I. Prelude is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Suite n. 1 in G major, BWV 1007: I. Prelude's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 36 in Bach : Suites pour violoncelle seul (Intégrale) by Johann Sebastian Bach, Ophélie Gaillard. Suite n. 1 in G major, BWV 1007: I. Prelude is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Suite n. 1 in G major, BWV 1007: I. Prelude by Johann Sebastian Bach, Ophélie Gaillard is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Agnus Dei pour choeur et l'Adagio du quatuor, Op. 11: "Agnus Dei" (Arr. for Cello and Strings Quintet) | Samuel Barber, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | B♭ Minor | 2 | 3A | 85 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Sérénade pour cordes in E Major: II. Valse | Antonín Dvořák, Orchestre Bernard Calmel, Bernard Calmel | B Major | 2 | 1B | 88 BPM | ||
Valses, Op. 64: No.2 in C Sharp Minor. Tempo giusto | Frédéric Chopin, Pascal Amoyel | D♭ Minor | 0 | 12A | 87 BPM | ||
Piano Trio No. 2 in E-Flat Major, D. 929: II. Andante con moto | Franz Schubert, Franck Braley, Gautier Capuçon, Renaud Capuçon | B Minor | 1 | 10A | 73 BPM | ||
De Courson: Concerto for Oud & Piano No. 23 (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488") | Hughes De Courson, Orchestre Symphonique De Bulgarie, Milen Natchev | D Major | 1 | 10B | 95 BPM | ||
Abdelazer, Z.570: Rondeau - Air - Air - Minuet | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 1 | 3B | 105 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |