"Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent was released on September 24, 2013. With this song being about 5 minutes long, at 5:07, "Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent's "Gesualdo: Responsoria 1611" album is number 6 out of 29. Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Feria Quinta, Tenebrae Responsories for Maundy Thursday: VI. Unus ex discipulis meis by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
M. George Whitehead his Almand from Lachrimae, or Seaven Teares | John Dowland, Fretwork | B♭ Major | 0 | 6B | 76 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Vespro della Beata Virgine - Arr. Philip Pickett: Concerto: Nigra sum | Claudio Monteverdi, Andrew King, New London Consort, Philip Pickett | C Major | 1 | 8B | 87 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM |