"Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415" by Heinrich Schütz, Cantus Cölln, Konrad Junghanel was released on 2005. The duration of Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415 is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Schütz: Symphoniae Sacrae III, Op. 12". In this album, this song's track order is #8. Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphoniae Sacrae III, Op. 12: Saul, Saul, was verfolgst du mich, SWV 415 by Heinrich Schütz, Cantus Cölln, Konrad Junghanel having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Surrexit Christus a 11 (C66) | Giovanni Gabrieli, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 81 BPM | ||
Jephte: XVIII. Coro a 6 | Giacomo Carissimi, Consortium Carissimi, Vittorio Zanon | G Minor | 1 | 6A | 81 BPM | ||
Repons: Caligaverunt oculi mei | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Major | 1 | 4B | 80 BPM | ||
Wohl denen, die da wandeln, EG 295 | Heinrich Schütz, Cornelius Becker, Kantorei der Kaiser-Wilhelm-Gedächtnis-Kirche, Kiichiro Mamine, Ikki Opitz, Juan Lucas Aisemberg, Matthias Kirchner, Helmut Hoeft | G Major | 2 | 9B | 110 BPM | ||
Jesu meines Lebens Leben, BuxWV 62: Jesu meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Margaretha Consort, Marit Broekroelofs | D Minor | 1 | 7A | 103 BPM | ||
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
Tota pulchra es, WAB 46 | Anton Bruckner, Jānis Kurševs, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | C Major | 0 | 8B | 131 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: IX. Und abermals sprach er zu ihnen | Heinrich Schütz, Georg Poplutz, Felix Rumpf, Felix Schwandtke, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Prime die Lectio secunda: XIII. Zaïn | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 73 BPM |