Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli's 'Salome, Op. 54 / Scene 4: "Tanz für Mich, Salome"' came out on January 1, 1991. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Richard Strauss: Salome". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. In terms of popularity, Salome, Op. 54 / Scene 4: "Tanz für Mich, Salome" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Salome, Op. 54 / Scene 4: "Tanz für Mich, Salome" by Richard Strauss, Leonie Rysanek, Cheryl Studer, Horst Hiestermann, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli having a テンポ of 108 with a half-time of 54 テンポ and a double-time of 216 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die lustige Witwe: Overture | Franz Lehár, Bryn Terfel, Barbara Bonney, Karl Magnus Fredriksson, Uwe Peper, Constanze Backes, Heinz Zednik, The Monteverdi Choir, Lynette Alcantara, Philip Salmon, Angela Kazimierczuk, Rainer Trost, Wiener Philharmoniker, John Eliot Gardiner | G Major | 3 | 9B | 85 BPM | ||
Wozzeck / Act I: Scene III: Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!" | Alban Berg, Hildegard Behrens, Anna Gonda, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado | F Major | 1 | 7B | 137 BPM | ||
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM | ||
Elektra: Iii. Elektra! | Hugo von Hofmannsthal, Richard Strauss, Anita Soldh, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Otello / Act 1: "Vanne! la tua meta già vedo" - "Credo in un Dio cru- del" | Giuseppe Verdi, Bryn Terfel, Swedish Radio Symphony Orchestra, Paul Daniel | D♭ Major | 2 | 3B | 79 BPM | ||
Elektra: Ii. Allein! Weh, ganz allein | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM | ||
Der Rosenkavalier, Op. 59 / Act 2: "In dieser feierlichen Stunde" | Richard Strauss, Janet Perry, Wilma Lipp, Wiener Philharmoniker, Herbert von Karajan, Members of the Chorus of The Vienna State Operea | G Major | 0 | 9B | 125 BPM | ||
Nabucco / Act 1: Lo vedeste? | Giuseppe Verdi, Lucia Popp, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | E♭ Major | 4 | 5B | 171 BPM | ||
Gurrelieder / Pt. 1: II. Waldemar: Nun dämpft die Dämmerung | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Der Rosenkavalier, Op. 59 / Act 1: "Mein lieber Hippolyte" | Richard Strauss, Anna Tomowa-Sintow, Heinz Zednik, Kurt Moll, Helga Muller-Molinari, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 5 | 2B | 86 BPM |