Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe made "Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft" available on November 10, 2023. Since Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Schumann: Symphonies Nos. 1 & 3". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft by Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe having a テンポ of 121 with a half-time of 60 テンポ and a double-time of 242 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino | Karol Szymanowski, Krystian Zimerman | F Major | 2 | 7B | 80 BPM | ||
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Liebeslied "Widmung, von Robert Schumann", S. 566 (After Myrthen, Op. 25/1) | Franz Liszt, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
16 Waltzes, Op. 39: No. 9 In D Minor | Johannes Brahms, Idil Biret | B♭ Major | 0 | 6B | 62 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM |