"Six Metamorphoses after Ovid, Op. 49: VI. Arethusa" by Benjamin Britten, John Shirley-Quirk, Sara Watkins, Osian Ellis, Philip Ledger was released on March 1, 2010. The duration of Six Metamorphoses after Ovid, Op. 49: VI. Arethusa is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Six Metamorphoses after Ovid, Op. 49: VI. Arethusa's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 20 in Britten: Tit for Tat - A Celebration by Benjamin Britten, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Six Metamorphoses after Ovid, Op. 49: VI. Arethusa is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Metamorphoses after Ovid, Op. 49: VI. Arethusa テンポ

The tempo marking of Six Metamorphoses after Ovid, Op. 49: VI. Arethusa by Benjamin Britten, John Shirley-Quirk, Sara Watkins, Osian Ellis, Philip Ledger is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Six Metamorphoses after Ovid, Op. 49: VI. Arethusa キー

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.