Jean-Joseph Mouret, Edward Carroll, Edward Brewer, New York Trumpet Ensemble made "Suite de symphonies No. 1 in D Major: I. Rondeau (Arr. N. Balm for Trumpet, Organ & Trumpet Ensemble)" available on 1982. With Suite de symphonies No. 1 in D Major: I. Rondeau (Arr. N. Balm for Trumpet, Organ & Trumpet Ensemble) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 12 in Art of the Trumpet by Edward Carroll, Edward Brewer, New York Trumpet Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Suite de symphonies No. 1 in D Major: I. Rondeau (Arr. N. Balm for Trumpet, Organ & Trumpet Ensemble) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite de symphonies No. 1 in D Major: I. Rondeau (Arr. N. Balm for Trumpet, Organ & Trumpet Ensemble) by Jean-Joseph Mouret, Edward Carroll, Edward Brewer, New York Trumpet Ensemble is Andante (at a walking pace), since this song has a tempo of 81 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.25 In G Minor, K. 183, 1st Movement | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | G Minor | 1 | 6A | 155 BPM | ||
The Firebird Suite *: Finale | Igor Stravinsky, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D♭ Minor | 3 | 12A | 64 BPM | ||
The Washington Post March | John Philip Sousa, John Williams, Boston Pops Orchestra | C Major | 2 | 8B | 120 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Trumpet Voluntary, op. 6, no. 5: Voluntary | John Stanley, Douglas Bush, David Brown | D Major | 2 | 10B | 61 BPM | ||
Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
Be Welcome, then, Great Sir | Jeffrey Dooley, Mary Springfels, Edward Brewer | F Major | 1 | 7B | 84 BPM | ||
Serenade No. 13 in G Major, K. 525 "Eine kleine Nachtmusik": I. Allegro | Wolfgang Amadeus Mozart, Wiener Kammerphilharmonie | G Major | 2 | 9B | 139 BPM | ||
Rodeo: V. Hoe Down | Aaron Copland, Detroit Symphony Orchestra, Leonard Slatkin | D Major | 2 | 10B | 120 BPM | ||
La Musica Notturna Delle Stade Di Madrid: Los Manolos (From "Master And Commander: The Far Side Of The World") | Timothy Lees, Erich Kunzel, Cincinnati Pops Orchestra | D♭ Major | 9 | 3B | 118 BPM |