"Double Concerto for Clarinet and Bandoneon, III. Aboriginal" by Juan Pablo Jofre Romarion, Seunghee Lee, JP Jofre, London Symphony Orchestra, Enrico Fagone was released on August 26, 2022. Since Double Concerto for Clarinet and Bandoneon, III. Aboriginal is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 10 in Aspire by Juan Pablo Jofre Romarion, Seunghee Lee, JP Jofre, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Double Concerto for Clarinet and Bandoneon, III. Aboriginal is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Double Concerto for Clarinet and Bandoneon, III. Aboriginal by Juan Pablo Jofre Romarion, Seunghee Lee, JP Jofre, London Symphony Orchestra, Enrico Fagone is Andante (at a walking pace), since this song has a tempo of 108 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'Violetta', Fantasia for Violin and Piano from 'La Traviata' | Mario Castelnuovo-Tedesco, Francesca Dego, Francesca Leonardi | F Major | 2 | 7B | 117 BPM | ||
2 Pieces for Cello & Orchestra, Op. 20: No. 2, Sérénade espagnole | Alexander Glazunov, Daniel Müller-Schott, Deutsches Symphonie-Orchester Berlin, Aziz Shokhakimov | D Major | 2 | 10B | 99 BPM | ||
Suite antique (Version for Guitar) [Excerpts]: I. Prélude | John Rutter, Graham Anthony Devine | A Minor | 0 | 8A | 119 BPM | ||
Les tendres plaintes--Rondeau, RCT 3/1 | Jean-Philippe Rameau, Bruce Liu | D♭ Major | 2 | 3B | 77 BPM | ||
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114 | Felix Mendelssohn, Harriet Krijgh, Magda Amara | B Minor | 1 | 10A | 86 BPM | ||
Romance | Fritz Kreisler, Kees Hulsmann, Marian Bolt | G Minor | 1 | 6A | 91 BPM | ||
Summer Tempest (after Violin Concerto in G Minor, Op. 8, No. 2 / RV 315 "The Four Seasons: Summer", arr. for Baroque Ensemble by Bo Wiget) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique" (Arr. Janoska Ensemble): II. Adagio cantabile | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
Prelude to Dorotea | Martin Fröst | D Minor | 0 | 7A | 77 BPM |