"Otello / Act 3: La vedetta del porto" by Giuseppe Verdi, Libero Arbace, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1961. With Otello / Act 3: La vedetta del porto being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Otello by Giuseppe Verdi, Renata Tebaldi, Mario del Monaco, Aldo Protti, Wiener Philharmoniker, Herbert von Karajan. The song's track number on the album is #1 out of 47 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Otello / Act 3: La vedetta del porto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Otello / Act 3: La vedetta del porto by Giuseppe Verdi, Libero Arbace, Mario del Monaco, Wiener Philharmoniker, Herbert von Karajan has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Otello / Act 3: La vedetta del porto being at 63 テンポ, the half-time would be 32 テンポ with a double-time of 126 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
La traviata / Act I: "Follie! Delirio vano è questo!... Sempre libera" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | A♭ Major | 1 | 4B | 117 BPM | ||
La traviata / Act I: "E strano! ... Ah, fors'è lui" | Giuseppe Verdi, Ileana Cotrubas, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 74 BPM | ||
Verdi: Nabucco, Act 3: "Donna, chi sei?" (Nabucco, Abigaille) / Chi è costei?... Oh, di qual'onta aggravisi" (Nabucco, Abigaille) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 2 | 4B | 78 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM | ||
Confutatis | Giuseppe Verdi, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D♭ Minor | 2 | 12A | 0 BPM | ||
Verdi: Messa da Requiem: XVII. Libera me - Dies irae | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 2 | 4B | 88 BPM |