"Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato" by Lowell Liebermann, Katherine Bryan, Royal Scottish National Orchestra, Paul Daniel was released on September 20, 2010. Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato appears to be safe for all ages as it is not explicit. The track order of this song in Katherine Bryan, Royal Scottish National Orchestra, Paul Daniel's "Liebermann: Flute Concerto - Works by Hüe, Nielsen and Poulenc" album is number 1 out of 9. In terms of popularity, Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Flute and Orchestra, Op. 39: Concerto for Flute and Orchestra, Op. 39: I. Moderato by Lowell Liebermann, Katherine Bryan, Royal Scottish National Orchestra, Paul Daniel to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bartók: Romanian Folk Dances, Sz. 56: No. 3, In One Spot (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
Numero de avogadro | Juan Pablo Fernández Ramos | A Minor | 1 | 8A | 99 BPM | ||
Violin Concerto: III. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 2 | 8B | 85 BPM | ||
Tristan und Isolde, WWV 90: VI, Brangänes Verzweiflung - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Die still Stadt | Alma Mahler, Aitor Llimerá, Mario Mora | D Minor | 1 | 7A | 70 BPM | ||
Sonata For Violin and Violoncello: Allegro | Maurice Ravel, Nash Ensemble, Marcia Crayford, Christopher van Kampen | A Minor | 1 | 8A | 125 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Symphony No. 3 in D Minor, WAB 103 "Wagner" (1877 Version, Ed. L. Nowak): III. Scherzo. Ziemlich schnell | Anton Bruckner, ORF Vienna Radio Symphony Orchestra, Markus Poschner | G Major | 2 | 9B | 77 BPM | ||
Album for the Young, Op. 43: Rainy Day | Lowell Liebermann, Caroline Almonte | E Minor | 0 | 9A | 91 BPM | ||
Cello Concerto in B Minor, Op. 104: III. Allegro moderato. Original Ending | Antonín Dvořák, Steven Isserlis, Daniel Harding, Mahler Chamber Orchestra | B Major | 0 | 1B | 77 BPM |