On May 1, 2018, the song "Chamber Concerto in F Major, TWV 54:F1: Chamber Concerto in F Major, TWV 54:F1: I. Vivace" was released by Georg Philipp Telemann, Tempesta Di Mare. With this song being about 5 minutes long, at 4:57, "Chamber Concerto in F Major, TWV 54:F1: Chamber Concerto in F Major, TWV 54:F1: I. Vivace" by Georg Philipp Telemann, Tempesta Di Mare is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Telemann: The Concerti-En-Suite". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. The popularity of Chamber Concerto in F Major, TWV 54:F1: Chamber Concerto in F Major, TWV 54:F1: I. Vivace is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chamber Concerto in F Major, TWV 54:F1: Chamber Concerto in F Major, TWV 54:F1: I. Vivace by Georg Philipp Telemann, Tempesta Di Mare having a テンポ of 163 with a half-time of 82 テンポ and a double-time of 326 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Concerto in D Minor, Wq. 23, H. 427: I. Allegro | Carl Philipp Emanuel Bach, Michael Rische, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 2 | 7A | 133 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo | Carl Maria von Weber, Ernst Ottensamer, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner | C Major | 0 | 8B | 71 BPM | ||
Trio Sonata in G Minor, TWV 42:g5: II. Allegro | Georg Philipp Telemann, Ensemble Fitzwilliam, Bruno Cocset, Michèle Dévérité, Paul Dombrecht, Enrico Gatti | F♯ Minor | 4 | 11A | 117 BPM | ||
4 String Quintets, Op. 45, No. 4 in C Major, G. 358: I. Allegro assai | Luigi Boccherini, Fabio Biondi, Europa Galante | C Major | 1 | 8B | 143 BPM | ||
Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 64 BPM | ||
Concerto Grosso h-Moll, Op. 6, Nr. 12, HWV 330: 3. Larghetto, e piano - Variatio (Fluch der Karibik): II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 170 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: VII. Minuet | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 1 | 12B | 185 BPM |