Frédéric Chopin, Polish Cello Quartet's 'Preludes, Op. 28: No. 4 in E Minor, B. 123 (Arr. for Cello Quartet by Sabina Meck)' came out on January 5, 2024. The duration of Preludes, Op. 28: No. 4 in E Minor, B. 123 (Arr. for Cello Quartet by Sabina Meck) is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Preludes, Op. 28: No. 4 in E Minor, B. 123 (Arr. for Cello Quartet by Sabina Meck)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 15 in Chopin Project by Frédéric Chopin, Polish Cello Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Poland. Based on our statistics, Preludes, Op. 28: No. 4 in E Minor, B. 123 (Arr. for Cello Quartet by Sabina Meck)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Preludes, Op. 28: No. 4 in E Minor, B. 123 (Arr. for Cello Quartet by Sabina Meck) by Frédéric Chopin, Polish Cello Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnal Etudes | Michael Raven | G Major | 2 | 9B | 79 BPM | ||
Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | ||
Eusa: Kereon. Intro | Alessandro Simonetto | D Major | 1 | 10B | 79 BPM | ||
Le Bucheron | Daniel Hart, Damir Orascanin | F Minor | 3 | 4A | 66 BPM | ||
Salome | Amine Bouhafa | D Major | 0 | 10B | 69 BPM | ||
ロマンス | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
Cecilia: Molto vivo e con fuoco | Licinio Refice, Federico Romano, Orchestra del Teatro Carlo Felice, Jochen Rieder | C Minor | 2 | 5A | 74 BPM | ||
Samson & Dalila, Op. 47: Prélude (Arr. for String Quartet by Eric Mouret) | Camille Saint-Saëns, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
Blizzard | Ricky Almobero, The Cudi | D♭ Minor | 0 | 12A | 79 BPM | ||
Loving People | Remo Anzovino | C Major | 0 | 8B | 125 BPM |