Sergei Prokofiev, Beatrice Rana, Antonio Pappano, Orchestra dell'Academia nazionale di Santa Cecilia's 'Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato' came out on November 27, 2015. Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Prokofiev: Piano Concerto No. 2 - Tchaikovsky: Piano Concerto No. 1". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Piano Concerto No. 2 in G Minor, Op. 16: III. Intermezzo. Allegro moderato by Sergei Prokofiev, Beatrice Rana, Antonio Pappano, Orchestra dell'Academia nazionale di Santa Cecilia having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi de Lahore, Opera in five Acts: Entr'acte Act V & Adagio & Waltz, Ballet Act III | Jules Massenet, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 109 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Quarrel | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Minor | 4 | 10A | 91 BPM | ||
Dvořák: Symphony No. 5 in F Major, Op. 76, B. 54: I. Allegro ma non troppo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | C Minor | 2 | 5A | 99 BPM | ||
Puccini: Tosca, Act 3: Le campane suonano mattutino | Giacomo Puccini, Antonio Pappano, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
Violin Concerto No. 3 in B minor Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | B Minor | 1 | 10A | 79 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: III. Allegretto | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | C Minor | 2 | 5A | 83 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): VIII. General Dance of Enthusiasm and Apotheosis (Finale) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | B♭ Major | 6 | 6B | 86 BPM | ||
Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
Romeo and Juliet, Op.64 - Act 3: Juliet Alone | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 118 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (d) Wieder zurückhaltend | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F♯ Major | 0 | 2B | 144 BPM |