Charley Case, Paul Laurence Dunbar, Charles Sidney Gilpin, Langston Hughes, J. Rosamond Johnson, James Johnson, Paul Robeson, Booker T. Washington, Bert Williams's 'Historical Recordings of Poetry, Humour and Drama: Songs of Innocence, no. 4: The Little Black Boy' came out on February 14, 2002. The duration of Historical Recordings of Poetry, Humour and Drama: Songs of Innocence, no. 4: The Little Black Boy is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Historical Recordings of Poetry, Humour and Drama: Songs of Innocence, no. 4: The Little Black Boy's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Voices of Black America by Various Artists. The song's track number on the album is #11 out of 55 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Historical Recordings of Poetry, Humour and Drama: Songs of Innocence, no. 4: The Little Black Boy is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Historical Recordings of Poetry, Humour and Drama: Songs of Innocence, no. 4: The Little Black Boy by Charley Case, Paul Laurence Dunbar, Charles Sidney Gilpin, Langston Hughes, J. Rosamond Johnson, James Johnson, Paul Robeson, Booker T. Washington, Bert Williams has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Historical Recordings of Poetry, Humour and Drama: Songs of Innocence, no. 4: The Little Black Boy being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 the streets | Rich Youngin2x | G Major | 6 | 9B | 95 BPM | ||
Norman the Carpet | Derek & Clive | D♭ Major | 2 | 3B | 101 BPM | ||
The Misplaced Patriots | Justin Wilson | B♭ Minor | 5 | 3A | 87 BPM | ||
Riding | Big $moove | B Major | 5 | 1B | 75 BPM | ||
Historical Recordings of Poetry, Humour and Drama: Freedom Train | Charley Case, Paul Laurence Dunbar, Charles Sidney Gilpin, Langston Hughes, J. Rosamond Johnson, James Johnson, Paul Robeson, Booker T. Washington, Bert Williams | F♯ Major | 2 | 2B | 94 BPM | ||
Open the Door | David the Page | F Minor | 4 | 4A | 89 BPM | ||
Chapter 5 - Macbeth | William Shakespeare, Josh Cooke, JD Cullum, Dan Donohue, Jeannie Elias, Chuma Gault, James Marsters, Jon Matthews, Alan Shearman, Andre Sogliuzzo, Kate Steele, Kristoffer Tabori, Joanne Whalley | G Major | 3 | 9B | 170 BPM | ||
Wulu | EJEH BREATH | F Major | 3 | 7B | 108 BPM | ||
Chapter 3 - Hamlet | William Shakespeare, Mark Capri, Josh Clark, Stephen Collins, JD Cullum, Stacy Keach, Henri Lubatti, Alan Mandell, Jon Matthews, Darren Richardson, Andre Sogliuzzo, Josh Stamberg, Emily Swallow, JoBeth Williams, Matthew Wolf | F Major | 4 | 7B | 86 BPM | ||
OT7 | OT7 Qaunny | A Major | 5 | 11B | 90 BPM |