"Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia)" by Gaetano Donizetti, Royal Philharmonic Orchestra/Alfredo Kraus/Nicola Rescigno/Edita Gruberova, Nicola Rescigno, Royal Philharmonic Orchestra was released on January 1, 1995. The duration of Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia) is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edita Gruberova's "Great Moments of Edita Gruberova" album is number 5 out of 44. In terms of popularity, Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Donizetti: Lucia di Lammermoor, Act 1 Scene 5: "Qui di sposa eterna fede" (Edgardo, Lucia) by Gaetano Donizetti, Royal Philharmonic Orchestra/Alfredo Kraus/Nicola Rescigno/Edita Gruberova, Nicola Rescigno, Royal Philharmonic Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni / Act 1: "Fin ch'han dal vino" | Wolfgang Amadeus Mozart, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Lucia di Lammermoor / Act 1: "Tu sei turbato!" | Gaetano Donizetti, Pier Francesco Poli, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Donizetti: Don Pasquale, Act I: Overture | Gaetano Donizetti, Philharmonia Orchestra, Riccardo Muti | D Major | 2 | 10B | 103 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM |