"Ave Maria a 5, T. 69: I. Ave Maria, gratia plena" by William Byrd, Owain Park, The Gesualdo Six had its release date on June 2, 2023. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 29 in Byrd: Mass for Five Voices; Ave verum corpus; Lamentations & Other Works by William Byrd, The Gesualdo Six, Owain Park. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Ave Maria a 5, T. 69: I. Ave Maria, gratia plena's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria a 5, T. 69: I. Ave Maria, gratia plena by William Byrd, Owain Park, The Gesualdo Six is Allegro (fast, quick, and bright), since this song has a tempo of 134 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Byrd: Ne Irascaris, Domine - 3. Sion Deserta | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 78 BPM | ||
Circumdederunt Me a 5 (Cantiones Sacrae, 1591) | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
Emendemus in melius a 5, T. 4 (Cantiones Sacrae, 1575): II. Adiuva nos Deus | William Byrd, The Gesualdo Six, Owain Park | D♭ Minor | 1 | 12A | 134 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Good Friday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | A♭ Minor | 0 | 1A | 84 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
And There Was War in Heaven | Howard Skempton, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 128 BPM | ||
Messa a quattro voci, SV 190: IV. Sanctus | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Nymphes des bois / Requiem aeternam, NJE 29.18 "La Déploration de Johannes Ockeghem": I. Nymphes des bois | Josquin des Prez, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Fidelis Servus | The Rose Ensemble, Jordan Sramek | G Major | 0 | 9B | 104 BPM | ||
Prime die Lectio secunda: XIII. Zaïn | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 73 BPM |