Liszt: 12 Etudes d'exécution transcendante, S. 139: III. Paysage

Franz Liszt, Boris Berezovsky
Liszt : 12 Etudes d'exécution transcendante [Transcendental Studies]
4:03 1996年9月1日
テンポ
71
キー
B♭ Minor
キャメロットミュージックキー
3A

リンクを埋め込む

共有

Liszt: 12 Etudes d'exécution transcendante, S. 139: III. Paysage - Franz Liszt, Boris Berezovsky 情報

音響性
97%
ダンサビリティ
21%
エネルギー
7%
手段性
87%
活気
7%
ラウドネス
62%
話し言葉
3%
価数
4%
人気
ラウドネス
-22.549 dB

まとめ

"Liszt: 12 Etudes d'exécution transcendante, S. 139: III. Paysage" by Franz Liszt, Boris Berezovsky was released on September 1, 1996. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Franz Liszt, Boris Berezovsky's "Liszt : 12 Etudes d'exécution transcendante [Transcendental Studies]" album is number 3 out of 12. On top of that, Germany appears to be the country where this track was created. Liszt: 12 Etudes d'exécution transcendante, S. 139: III. Paysage is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Liszt: 12 Etudes d'exécution transcendante, S. 139: III. Paysage テンポ

We consider the tempo marking of Liszt: 12 Etudes d'exécution transcendante, S. 139: III. Paysage by Franz Liszt, Boris Berezovsky to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Liszt: 12 Etudes d'exécution transcendante, S. 139: III. Paysage キー

B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Lyrical Pieces, Op. 12: No. 1, Arietta by Edvard Grieg, Denis KozhukhinLyrical Pieces, Op. 12: No. 1, AriettaEdvard Grieg, Denis KozhukhinE♭ Major05B76 BPM
3 Romances, Op. 11: 1. Andante by Clara Schumann, Isata Kanneh-Mason3 Romances, Op. 11: 1. AndanteClara Schumann, Isata Kanneh-MasonE♭ Minor02A127 BPM
7 Variations on an original theme, Op. 9, J. 55: Andante by Carl Maria von Weber, Michael Endres7 Variations on an original theme, Op. 9, J. 55: AndanteCarl Maria von Weber, Michael EndresF Major07B121 BPM
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto by Georges Bizet, Orchestre Symphonique de Montréal, Charles DutoitL'Arlésienne Suite No. 1, WD 40: 3. AdagiettoGeorges Bizet, Orchestre Symphonique de Montréal, Charles DutoitF Major07B86 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses by François Couperin, Alexandre TharaudPièces de Clavecin, Livre II, 6e ordre: V. Les Baricades MistérieusesFrançois Couperin, Alexandre TharaudB♭ Major16B111 BPM
Adagio in G Minor (Arr. for Harp and Orchestra) by Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondoAdagio in G Minor (Arr. for Harp and Orchestra)Tomaso Albinoni, Remo Giazotto, Stefan Klieme, Xavier De Maistre, L'Arte del mondoC Minor15A175 BPM
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 by Johannes Brahms, Ferruccio Busoni, Igor Levit6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10Johannes Brahms, Ferruccio Busoni, Igor LevitA Minor08A84 BPM
Sinfonia in C major, RV 112: II. Andante by Karoly BotvaySinfonia in C major, RV 112: II. AndanteKaroly BotvayC Minor15A112 BPM
Lohengrin: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszA Major011B75 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
ISRC
DEA809600003
レコードレーベル
L-M Records/RCA Records