"Les Puritains: "A te, o cara amor taiora"" by Luciano Pavarotti, Orchestra Sinfonica Nazionale Della RAI was released on November 17, 2010. Les Puritains: "A te, o cara amor taiora" is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Nessun Dorma". In this album, this song's track order is #11. Les Puritains: "A te, o cara amor taiora" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Puritains: "A te, o cara amor taiora" by Luciano Pavarotti, Orchestra Sinfonica Nazionale Della RAI having a テンポ of 89 with a half-time of 44 テンポ and a double-time of 178 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Pearl Fishers Duet - Remastered, Radio Edit | Rhydian | E♭ Major | 4 | 5B | 169 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Chorus Of The Hebrew Slaves (Nabucco) | Choir and Orchestra of the Budapest State Opera, Josif Conta, Consortium Musicum Ljubjlana | D♭ Major | 0 | 3B | 142 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Recondita Armonia | Luciano Pavarotti | F Major | 2 | 7B | 176 BPM | ||
Les Pêcheurs de perles: A cette voix quel trouble... Je crois entendre encore (Nadir) | Georges Bizet, Rolando Villazón, Das Münchner Rundfunkorchester, Michel Plasson, Muenchner Rundfunkorchester | E Minor | 1 | 9A | 73 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
O Mio Bambino Care | Gianni Schicchi, Tivolis Promenadeorkester, Louise Fribo, Hans Nielsen, Bjørn Hyrup | A♭ Major | 3 | 4B | 70 BPM | ||
You're The First, The Last, My Everything - Live | Peter Sterling Radcliffe, Tony Sepe, Barry White, Luciano Pavarotti | E♭ Major | 7 | 5B | 124 BPM |