"Instrumental piece IV" by Hildegard von Bingen, Sequentia, Margriet Tindemans was released on 1985. With this song being about 5 minutes long, at 5:17, "Instrumental piece IV" by Hildegard von Bingen, Sequentia, Margriet Tindemans is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hildegard von Bingen, Sequentia, Barbara Thornton, Margriet Tindemans's "Hildegard Von Bingen: Geistliche Gesänge" album is number 13 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Instrumental piece IV's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Instrumental piece IV by Hildegard von Bingen, Sequentia, Margriet Tindemans to be Allegro (fast, quick, and bright) because the track has a tempo of 136 テンポ, a half-time of 68テンポ, and a double-time of 272 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Weisheit | Chamber Choir Versija | D♭ Major | 1 | 3B | 68 BPM | ||
O Crux ave, spes unica | Giaches de Wert, Stile Antico | C Minor | 1 | 5A | 80 BPM | ||
O choruscans stellarum | Hildegard von Bingen, Sequentia, Barbara Thornton | G Minor | 0 | 6A | 170 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Nowadays Forces Heavenly | The Male Choir of Valaam Singing Culture Institute | F Minor | 1 | 4A | 137 BPM | ||
Stetit Angelus | Millikin University Choir | A Minor | 1 | 8A | 86 BPM | ||
Aeternam | Bernat Vivancos, Latvian Radio Choir, Sigvards Kļava | B Minor | 1 | 10A | 65 BPM | ||
Klusas dziemas (silent songs): II. Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
Isorhythmic Motets: Nuper rosarum flores | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 136 BPM |