"Irish Airs for Violin & Piano, Second Set: VI. Dunleary Hornpipe – The Hatter’s Hornpipe" by John Francis Larchet, Niall Kinsella, Mia Cooper was released on August 28, 2020. The duration of Irish Airs for Violin & Piano, Second Set: VI. Dunleary Hornpipe – The Hatter’s Hornpipe is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Irish Airs for Violin & Piano, Second Set: VI. Dunleary Hornpipe – The Hatter’s Hornpipe's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Francis Larchet, Various Artists's "John F. Larchet: Complete Songs & Airs" album is number 23 out of 29. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Irish Airs for Violin & Piano, Second Set: VI. Dunleary Hornpipe – The Hatter’s Hornpipe is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Irish Airs for Violin & Piano, Second Set: VI. Dunleary Hornpipe – The Hatter’s Hornpipe by John Francis Larchet, Niall Kinsella, Mia Cooper to be Vivace (lively and fast) because the track has a tempo of 166 テンポ, a half-time of 83テンポ, and a double-time of 332 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM | ||
Giordani : Arietta : "Caro mio ben" | Giuseppe Giordani, Sumi Jo | F Major | 0 | 7B | 68 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | D Major | 1 | 10B | 90 BPM | ||
La Verbena de la Paloma, Act I: Soledad (Cantaora, Guardia 1, Guardia 2, Antonia, Casta, Susana, Vecina, Vecino) | Tomás Bretón, Milagros Martin, Juan Jesùs Rodriguez, Alberto Rios, Ana M. Amengual, Silvia Tro, Maria Bayo, Carmen Campos Ros, Alfredo Garcia Huerga, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | A Minor | 2 | 8A | 150 BPM | ||
The Rake's Progress / Act I / Scene III: "I Go, I Go to Him" (Anne) | Igor Stravinsky, Deborah York, London Symphony Orchestra, John Eliot Gardiner | C Major | 1 | 8B | 135 BPM | ||
The Moon on the Ruined Castle (Arr. Cello & Piano) | Taki Rentarou, Lynn Harrell, Bruno Canino | C Minor | 0 | 5A | 84 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Stabat Mater, FP 148: IV. Quae moerebat | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A♭ Major | 1 | 4B | 175 BPM | ||
Diarmuid’s Lament | John Francis Larchet, Michaél Mac Liammóir, Niall Kinsella, Gavan Ring, Verity Simmons | A Minor | 0 | 8A | 166 BPM |