"Kondak Prespodobnomu Czenice Elisawiete" by St. Peter St. Paul Cathedral Choir of Minsk was released on January 1, 2010. With Kondak Prespodobnomu Czenice Elisawiete being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in St. Peter St. Paul Cathedral Choir of Minsk's "Golden Russian Orthodox Church Music" album is number 25 out of 27. The popularity of Kondak Prespodobnomu Czenice Elisawiete is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kondak Prespodobnomu Czenice Elisawiete by St. Peter St. Paul Cathedral Choir of Minsk to be Presto (very, very fast) because the track has a tempo of 185 テンポ, a half-time of 92テンポ, and a double-time of 370 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
"Let My Prayer Arise" | St. Tikhon's Seminary Choir | C Minor | 1 | 5A | 98 BPM | ||
Popule meus Improperie (Karfreitag) | Choir Of St. Abuscus | F Major | 1 | 7B | 130 BPM | ||
Cheroubikon N 4 | Yoan Kukuzel (Angeloglassniyat) | F♯ Major | 0 | 2B | 74 BPM | ||
Antiphon XII (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | D♭ Major | 3 | 3B | 133 BPM | ||
Liturgy of St. John Chrysostom: No. 12, It Is Truly Meet | Benedict Sheehan, The Saint Tikhon Choir, Michael Hawes | B Major | 1 | 1B | 75 BPM | ||
Both Now for Aposticha (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | D♭ Major | 2 | 3B | 75 BPM | ||
Sancta Maria | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | E♭ Major | 1 | 5B | 75 BPM | ||
Missa cunctipotens genitor Deus - Kyrie | Nova Schola Gregoriana, Alberto Turco | E Minor | 1 | 9A | 69 BPM | ||
Kathisma for Antiphon XII (Mode Pl. IV) | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | F♯ Major | 4 | 2B | 88 BPM | ||
Evlogitaria (Byzantine Chant, Tone 5) | St. Symeon Orthodox Church Ensemble "Antiphony" | D♭ Minor | 1 | 12A | 142 BPM |