"Laudes de Sainte Ursule (Excerpts Arr. for Chamber Ensemble): I. Deus in adjutorium meum intende" by Hildegard von Bingen, Flores Harmonici, Unknown Artist was released on June 4, 2021. The duration of Laudes de Sainte Ursule (Excerpts Arr. for Chamber Ensemble): I. Deus in adjutorium meum intende is about 3 minutes long, at 3:02. Based on our data, "Laudes de Sainte Ursule (Excerpts Arr. for Chamber Ensemble): I. Deus in adjutorium meum intende" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 8 in the song's album "Symphonie céleste". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Switzerland. Laudes de Sainte Ursule (Excerpts Arr. for Chamber Ensemble): I. Deus in adjutorium meum intende is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Laudes de Sainte Ursule (Excerpts Arr. for Chamber Ensemble): I. Deus in adjutorium meum intende by Hildegard von Bingen, Flores Harmonici, Unknown Artist having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venez adorons | Nana Peradze | F♯ Minor | 0 | 11A | 77 BPM | ||
O quam magnum miraculum est | Hildegard von Bingen, Karen R. Clark, Shira Kammen | G Minor | 1 | 6A | 133 BPM | ||
Kyrie Eleison In G Minor, Kcc 089 | Kiev Chamber Choir | G Minor | 1 | 6A | 82 BPM | ||
Audivi Vocem | The Schola Cantorum of St. John XXIII Parish | E Minor | 3 | 9A | 79 BPM | ||
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 141 BPM | ||
Requiem canticorum: Pie Jesu | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 0 | 5B | 93 BPM | ||
O viridissima virga, Ave | Hildegard von Bingen, Sequentia, Barbara Thornton | C Major | 0 | 8B | 135 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Intemerata Dei mater: I. Intemerata Dei mater | Johannes Ockeghem, Marc-André Hamelin, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 135 BPM | ||
Ordo Virtutum, Prolog: "Audite "o lucis filie" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | F Major | 1 | 7B | 133 BPM |