"Requiem in D Minor, K. 626: Sequence No. 1: Dies Irae" by Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik had its release date on January 1, 1995. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Peter Marschik's "Mozart, W.A.: Requiem / Ave Verum Corpus / Bruckner, A.: Ave Maria / Locus Iste / Christus Factus Est" album is number 3 out of 18. On top of that, United States appears to be the country where this track was created. Requiem in D Minor, K. 626: Sequence No. 1: Dies Irae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in D Minor, K. 626: Sequence No. 1: Dies Irae by Wolfgang Amadeus Mozart, Max Emanuel Cenčić, Derek Lee Ragin, Michael Knapp, Gotthold Schwarz, Vienna Boys' Choir, Chorus Viennensis, Vienna Volksoper Orchestra, Peter Marschik to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Giulio Cesare in Egitto, HWV 17: Giulio Cesare in Egitto, HWV 17, Act III: Piangero la sorte mia si crudele e tanto ria | George Frideric Handel, Lynne Dawson, Lautten Compagney | E♭ Major | 1 | 5B | 96 BPM | ||
Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Requiem In D Minor, K. 626: Offertory: I. Domine Jesu Christe | Slovak Philharmonic, Slovak Philharmonic Chorus, Vladimir Ruso, Magdaléna Hajóssyová, Stefan Klimo, Peter Mikulas, Jozef Kundlák, Jaroslava Horska, Wolfgang Amadeus Mozart | G Minor | 2 | 6A | 91 BPM | ||
Das Halleluja der Schopfung (The Hallelujah of Creation): Heilig! Heilig! Heilig! (Chorus) | Friedrich Ludwig Aemilius Kunzen, Susanne Elmark, Danish National Radio Choir, Danish National Radio Symphony Orchestra, Peter Marschik | C Minor | 0 | 5A | 83 BPM | ||
Zadok the Priest | George Frideric Handel, Thomas Tallis Chamber Choir, Royal Academy Consort, Jeremy Summerly | B♭ Major | 1 | 6B | 123 BPM | ||
Carmina Burana: No. 1, Fortuna Imperatrix Mundi, "O Fortuna" | Carl Orff, Anima Eterna, Collegium Vocale Gent, Cantate Domino, Jos Van Immerseel | D Major | 3 | 10B | 134 BPM | ||
Turandot / Act 3: Che è mai di me? (Turandot, Calaf, Coro, Coro di ragazzi) | Giacomo Puccini, Katia Ricciarelli, Plácido Domingo, Wiener Philharmoniker, Herbert von Karajan, Vienna State Opera Chorus, Vienna Boys' Choir | E Minor | 1 | 9A | 89 BPM | ||
Carmina Burana: Fortuna Imperatix Mundi: Fortune plango Vulnera | Carl Orff, Rundfunk-Sinfonieorchester Leipzig, Celestina Casapietra, Horst Hiestermann, Karl-Heinz Stryczek, MDR Leipzig Radio Chorus, Dresdner Kapellknaben, Konrad Wagner, Herbert Kegel | B♭ Major | 4 | 6B | 125 BPM | ||
Heideröslein | Vienna Boys' Choir | G Major | 1 | 9B | 128 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM |