Bedřich Smetana, Svatopluk Sem, Andrew Griffiths, Jiří Bělohlávek, BBC Singers, BBC Symphony Orchestra, Richard Samek's 'Dalibor, Scene 4: Neprátel zástup porazen a zbit (Budivoj, Mercenaries, Dalibor)' came out on October 29, 2015. The duration of Dalibor, Scene 4: Neprátel zástup porazen a zbit (Budivoj, Mercenaries, Dalibor) is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Dalibor, Scene 4: Neprátel zástup porazen a zbit (Budivoj, Mercenaries, Dalibor)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Smetana: Dalibor (Live)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Dalibor, Scene 4: Neprátel zástup porazen a zbit (Budivoj, Mercenaries, Dalibor) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dalibor, Scene 4: Neprátel zástup porazen a zbit (Budivoj, Mercenaries, Dalibor) by Bedřich Smetana, Svatopluk Sem, Andrew Griffiths, Jiří Bělohlávek, BBC Singers, BBC Symphony Orchestra, Richard Samek having a テンポ of 92 with a half-time of 46 テンポ and a double-time of 184 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Lyric Pieces, Op. 54: IV. Notturno - Andante | Edvard Grieg, Javier Perianes | C Major | 0 | 8B | 68 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
The Kiss, JB 1:104, Act II, Scene 5: What a Dark Forest! (Vendulka, dcera Palouckého, Martinka, Vendulčina stará teta, Matouš, starý pašíř) | Bedřich Smetana, Ludmila Červinková, Marta Krásová, Vladimír Jedenáctík, Prague National Theatre Orchestra, Zdeněk Chalabala | G Major | 0 | 9B | 164 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM |