Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman made "Snapsvisa for di ligaste (Norra skånska dragonregementet)" available on 1995. With Snapsvisa for di ligaste (Norra skånska dragonregementet) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 70 in the song's album "Sång och spel från mäss och hed". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Snapsvisa for di ligaste (Norra skånska dragonregementet)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Snapsvisa for di ligaste (Norra skånska dragonregementet) by Traditional, Olle Persson, Blåsarensemble, Egon Kjerrman having a テンポ of 152 with a half-time of 76 テンポ and a double-time of 304 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eternal Father, Strong to Save | Huddersfield Choral Society | G Major | 1 | 9B | 108 BPM | ||
I Once Loved A Lass / Jig | Traditional, Garth Knox, Agnès Vesterman | G Major | 3 | 9B | 59 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
La Rose Complete | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 125 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Identity & The Ground | Majorstua Kammerkor & Tore Erik Mohn | A♭ Major | 0 | 4B | 89 BPM | ||
Sitivit anima mea (Live) | Richard Burchard, Riverside City College Chamber Singers, John Byun | E♭ Major | 0 | 5B | 135 BPM | ||
Exaudi, Deus, orationem meam in F Minor, IAG 39 | Giovanni Gabrieli, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 100 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM | ||
Ad Completorium: Hymnus "Te lucis ante terminum" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F♯ Major | 0 | 2B | 144 BPM |