"Tu lo sai" by Giuseppe Torelli, Holly Bewlay, Sarah Rhee was released on June 22, 2023. The duration of Tu lo sai is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Tu lo sai's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Holly Bewlay, Sarah Rhee's "HOLLY: Twenty-four Italian Songs and Arias" album is number 24 out of 24. On top of that, United States appears to be the country where this track was created. Tu lo sai is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tu lo sai by Giuseppe Torelli, Holly Bewlay, Sarah Rhee to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nipponari, H. 68 "Japanese Folk Songs": No. 1, Modrá hodina | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | F♯ Major | 0 | 2B | 88 BPM | ||
Handel: Esther, HWV 50b, Act 2: "Who Calls My Parting Soul from Death?" (Esther, Ahasuerus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Deux chansons: No. 2, Chanson de l'adieu | Dilyana Georgieva, Galina Apostolova | E Major | 1 | 12B | 79 BPM | ||
Requiem, Op. 9: Domine Jesu Christe | Maurice Duruflé, Okka von der Damerau, Ljubomir Puškarić, Uladzimir Sinkevich, Bavarian Radio Chorus, Munich Radio Orchestra, Max Hanft, Ivan Repušić | G Minor | 2 | 6A | 176 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Non posso disperar | Giovanni Bononcini, Holly Bewlay, Sarah Rhee | F Minor | 1 | 4A | 174 BPM | ||
Floridante, Act III, HWV 14: “Amor commanda” | Charlotte Hoather | B♭ Major | 1 | 6B | 79 BPM | ||
A Child of our Time, Part I: Is evil then good? (Alto, Chorus) | Michael Tippett, Sarah Connolly, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Del cabello más sutil | Fernando Obradors, José Carreras, Martin Katz | F♯ Major | 0 | 2B | 166 BPM |