"Adolescentulus sum ego" by William Mundy, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson was released on June 22, 2018. With this song being about 5 minutes long, at 4:57, "Adolescentulus sum ego" by William Mundy, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of William Mundy: Sacred Choral Music by William Mundy, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson. The song's track number on the album is #7 out of 8 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Adolescentulus sum ego's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Adolescentulus sum ego by William Mundy, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson has a tempo of 129 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Adolescentulus sum ego being at 129 テンポ, the half-time would be 64 テンポ with a double-time of 258 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat "Esurientes implevit bonis" | Claudio Monteverdi, Philippe Herreweghe, Dorothee Mields, Barbora Kabátková, Collegium Vocale Gent | G Major | 1 | 9B | 115 BPM | ||
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat "Quia respexit humilitatem" | Claudio Monteverdi, Philippe Herreweghe, Stephan Gähler, Vincent Lesage, Johannes Gaubitz, Sören Richter, Collegium Vocale Gent | F Major | 2 | 7B | 76 BPM | ||
O coruscans lux stellarum | Hildegard von Bingen, Choir of Clare College, Cambridge, Timothy Brown | G Minor | 0 | 6A | 113 BPM | ||
Second Service ‘in F fa ut’: Nunc dimittis | William Mundy, Choir of Merton College, Oxford, Peter Phillips | C Major | 1 | 8B | 82 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 1. Assumpta Est Maria in Caelum | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Terpsichore*: a. Courante b. Courante c. Courante | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 108 BPM | ||
Ach Vlaendere vrie | Thomas Fabri, Capilla Flamenca | E Minor | 0 | 9A | 171 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
In aeternum | Tonus Peregrinus, Antony Pitts | D Minor | 1 | 7A | 79 BPM |