"Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio - Allegro molto" by Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel was released on July 29, 2022. Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio - Allegro molto appears to be safe for all ages as it is not explicit. The song is number 9 out of 12 in Dvořák: Symphonies Nos. 7-9 by Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio - Allegro molto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio - Allegro molto by Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel is Allegro (fast, quick, and bright), since this song has a tempo of 127 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Carmen Fantasy, Op. 25: IV. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Minor | 2 | 4A | 84 BPM | ||
Symphony No. 40 in G Minor, K. 550: IV. Allegro assai | Wolfgang Amadeus Mozart, Cologne New Philharmonic Orchestra, Volker Hartung | G Minor | 3 | 6A | 137 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Violin Concerto No. 7 in A Minor, Op. 9: I. Moderato | Pierre Rode, Friedemann Eichhorn, South West German Radio Kaiserslautern Orchestra, Nicolás Pasquet | E Major | 2 | 12B | 114 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 5 in C Minor, Op. 67: II. Andante con moto | Ludwig van Beethoven, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | A♭ Major | 0 | 4B | 79 BPM |