Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor's 'Violin Sonata No. 3 in F Major, C. 140: I. Adagio' came out on January 19, 2024. The duration of Violin Sonata No. 3 in F Major, C. 140: I. Adagio is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Violin Sonata No. 3 in F Major, C. 140: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 56 in Biber: Violin Sonatas Nos. 1-8, C. 138-145 by Heinrich Ignaz Franz von Biber, Gunar Letzbor, Ars Antiqua Austria. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Violin Sonata No. 3 in F Major, C. 140: I. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Sonata No. 3 in F Major, C. 140: I. Adagio by Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in B-Flat Major (Arr. M. Fanfoni for Violin & Chamber Ensemble): II. Adagio | Mauro D'Alay, Daniele Fanfoni, Reale Concerto | C Major | 1 | 8B | 62 BPM | ||
Violin Concerto in D Major, Op. 3, No. 3: I. Presto | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 1 | 10B | 125 BPM | ||
Trio Sonata in G Minor, RV 85: I. Andante molto | Antonio Vivaldi, Gunar Letzbor, Hubert Hoffmann, Ars Antiqua Austria | D♭ Major | 1 | 3B | 105 BPM | ||
Le Pouvoir de l'Amour, Prologue Scène 4: Air pour les jeux et les plaisirs | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | C Minor | 2 | 5A | 96 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata III a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | A♭ Minor | 1 | 1A | 114 BPM | ||
弦楽のための組曲: 第4楽章: Dashing away/アイロンをかけまくる | John Rutter, 石田泰尚, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Sonatinas for Violin and Guitar, Op. 3: Andante sostenuto. Rondo. Molto allegro | Niccolò Paganini, Karel Šroubek, Zdeněk Pitter | D Major | 2 | 10B | 103 BPM | ||
Péron: Méditation Religieuse | Su Shien-Ta, Yu Tsui-Ling | A Major | 1 | 11B | 80 BPM | ||
Mystery (Rosary) Sonata: No. 1 in D Minor “The Annunciation”: I. Praeludium | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM |