Antonio Vivaldi, Michel Corboz, Ensemble Vocal de Lausanne, Jennifer Smith, Wally Staempfli, Orchestre de Chambre de Lausanne's 'Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae' came out on 1975. The duration of Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae is about 3 minutes long, at 3:02. Based on our data, "Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vivaldi : Sacred music by Erik Satie, Barbara Hannigan, Reinbert de Leeuw, Antonio Vivaldi, Michel Corboz. The song's track number on the album is #31 out of 103 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae by Antonio Vivaldi, Michel Corboz, Ensemble Vocal de Lausanne, Jennifer Smith, Wally Staempfli, Orchestre de Chambre de Lausanne has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Beatus vir in C Major, RV 597: III. Gloria est divitiae being at 101 テンポ, the half-time would be 50 テンポ with a double-time of 202 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Violin Concerto in E Major, D. 50: I. Allegro | Giuseppe Tartini, Ariadne Daskalakis, Cologne Chamber Orchestra, Helmut Muller-Bruhl | E Major | 1 | 12B | 78 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Moses Fantasy | Niccolò Paganini, Nemanja Radulović | C Major | 1 | 8B | 100 BPM | ||
Violin Concerto In B Minor, Op. 9, No. 12, RV 391: I. Allegro Non Molto | L'Arte dell' Arco, Giovanni Guglielmo, Antonio Vivaldi | B Minor | 1 | 10A | 80 BPM |