"Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction" by Igor Stravinsky, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel was released on January 1, 2010. With Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in "Rite" - Stravinsky: Le Sacre du printemps; Revueltas: La noche de los mayas, so we believe that "Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction" is a single. The popularity of Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of Abduction by Igor Stravinsky, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel is Presto (very, very fast), since this song has a tempo of 179 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
The Firebird (L'oiseau De Feu) - Suite (1919): Introduction | Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung | G Minor | 0 | 6A | 85 BPM | ||
Symphony No.1 in E Major, Op. 26: I. Lento | Alexander Scriabin, London Symphony Orchestra, Valery Gergiev | E♭ Major | 2 | 5B | 139 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
String Quartet No. 8 in C Minor, Op. 110: 3. Allegretto | Dmitri Shostakovich, Borodin Quartet | C Minor | 1 | 5A | 114 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin | Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 80 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM |