Czech Philharmonic Orchestra made "Concerto for Flute, Strings & Bass Continuo in G-minor Op.10, no.2 La Notte - Fantasmi: Presto" available on April 1, 2010. With Concerto for Flute, Strings & Bass Continuo in G-minor Op.10, no.2 La Notte - Fantasmi: Presto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 100 World Classical Masterpieces, so we believe that "Concerto for Flute, Strings & Bass Continuo in G-minor Op.10, no.2 La Notte - Fantasmi: Presto" is a single. Based on our statistics, Concerto for Flute, Strings & Bass Continuo in G-minor Op.10, no.2 La Notte - Fantasmi: Presto's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Concerto for Flute, Strings & Bass Continuo in G-minor Op.10, no.2 La Notte - Fantasmi: Presto by Czech Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM | ||
Toccata and Fugue in D minor, BWV 565 (Arr. Stokowski) - Live | Johann Sebastian Bach, Czech Philharmonic Orchestra, Leopold Stokowski | C Minor | 1 | 5A | 184 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Symphony No. 1 in D Major: 3. Feierlich und gemessen, ohne zu schleppen - Live | Gustav Mahler, Berliner Philharmoniker, Claudio Abbado | G Minor | 0 | 6A | 56 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17a, Polovtsian Dance. Introduzione. Andantino | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 78 BPM | ||
Piano Concerto in E Major, Op. 59: III. Scherzo: Vivace | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 71 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 11. G.R.S. (Allegro di molto) - Live | Edward Elgar, Czech Philharmonic, Leopold Stokowski | G Major | 4 | 9B | 93 BPM |