Giovanni Battista Bassani, Ensemble StilModerno made "Sonata No. 8 in G Minor: VI. Allegro" available on December 11, 2012. With Sonata No. 8 in G Minor: VI. Allegro being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 38 out of 58 in Bassani: Sinfonie, Op. 5 by Giovanni Battista Bassani, Ensemble StilModerno. In terms of popularity, Sonata No. 8 in G Minor: VI. Allegro is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sonata No. 8 in G Minor: VI. Allegro by Giovanni Battista Bassani, Ensemble StilModerno is Moderato (at a moderate speed), since this song has a tempo of 114 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 5, Arie "Der Gott, dem alle Himmelskreise" (Tochter Zion) | Georg Philipp Telemann, Brigitte Christensen, Akademie für Alte Musik Berlin, René Jacobs | A♭ Minor | 1 | 1A | 69 BPM | ||
Johannes-Passion, BWV 245.1: 25. Recitativo: Allda kreuzigten sie ihn | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt | D Major | 2 | 10B | 172 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 4 | 12B | 101 BPM | ||
Concerto Grosso in F Minor, Op. 1 No. 8: VI. Pastorale. Largo andante | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | F Major | 1 | 7B | 66 BPM | ||
Sonata No. 4 in D: II. Grave | Giovanni Battista Bassani, Ensemble StilModerno | F♯ Minor | 0 | 11A | 82 BPM | ||
Neubrandenburg Concerto No. 3: I. Allegro (Transcr. By Harer, after Bach's Sonata for Viola da Gamba and Harpsichord, BWV 1029) | Johann Sebastian Bach, Christoph Harer, La Festa Musicale | F♯ Minor | 2 | 11A | 168 BPM | ||
Armonici entusiasmi di Davide, Op. 9, Psalm 109 "Dixit Dominus Domino meo": Psalm 109, "Dixit Dominus Domino meo": Tecum principium in die virtutis tuae | Giovanni Battista Bassani, Nova Ars Cantandi, Fabio Furnari, Andrea Arrivabene, Giovanni Acciai | A♭ Minor | 0 | 1A | 73 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: I. Intrada - Grave | Georg Philipp Telemann, The English Concert, Trevor Pinnock | B♭ Major | 0 | 6B | 63 BPM | ||
Then Svenska Messan, HRV 404: Herre förbarma tig öfver oss | Johan Helmich Roman, Göteborg Baroque, Magnus Kjellson | A Minor | 1 | 8A | 87 BPM |