"Purcell: The Fairy Queen, Z. 629, Act 4: No. 30, Symphony (Arr. for Trumpet)" by Henry Purcell, Alison Balsom, Trevor Pinnock, The English Concert was released on October 1, 2012. Purcell: The Fairy Queen, Z. 629, Act 4: No. 30, Symphony (Arr. for Trumpet) is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Alison Balsom's "Kings & Queens" album is number 11 out of 26. Based on our statistics, Purcell: The Fairy Queen, Z. 629, Act 4: No. 30, Symphony (Arr. for Trumpet)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Purcell: The Fairy Queen, Z. 629, Act 4: No. 30, Symphony (Arr. for Trumpet) by Henry Purcell, Alison Balsom, Trevor Pinnock, The English Concert to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Dido and Aeneas / Act 1: "Fear no danger" | Henry Purcell, Emma Kirkby, Julianne Baird, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | B Major | 0 | 1B | 130 BPM | ||
Dixit Dominus, ZWV 66: Dixit Dominus - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Major | 3 | 2B | 115 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Weint nicht um meinen Tod | Johann Bach, Vox Luminis, Lionel Meunier | C Minor | 0 | 5A | 67 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
The Indian Queen, Z. 630 : Act III - Trumpet Overture | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | D♭ Major | 1 | 3B | 112 BPM | ||
The Fairy Queen, Z. 629 / Act 3: Dialog: "Now the Maids and the Men" | Henry Purcell, Timothy Penrose, David Thomas, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM |