Domenico Cimarosa, Bruno De Simone, Orchestra del Teatro di San Carlo, Antonino Fogliani's 'Il marito disperato (Highlights), Act II: Act II: Recitative ed aria: Moglie, moglie pericolante ecco (Corbolone)' came out on December 1, 2014. Il marito disperato (Highlights), Act II: Act II: Recitative ed aria: Moglie, moglie pericolante ecco (Corbolone) is about six minutes long, preciously at 5:31, making this song fairly long compared to other songs. The song is number 8 out of 29 in Cimarosa: Il marito disperato (The Desperate Husband) [Highlights] by Domenico Cimarosa, Orchestra del Teatro di San Carlo, Antonino Fogliani. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Il marito disperato (Highlights), Act II: Act II: Recitative ed aria: Moglie, moglie pericolante ecco (Corbolone) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il marito disperato (Highlights), Act II: Act II: Recitative ed aria: Moglie, moglie pericolante ecco (Corbolone) by Domenico Cimarosa, Bruno De Simone, Orchestra del Teatro di San Carlo, Antonino Fogliani is Adagio (slowly with great expression), since this song has a tempo of 69 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mélodie, Op. 20, No. 1 | Alexander Glazunov, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 84 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Suite No. 2 in F Major, HWV 427: I. Adagio | George Frideric Handel, Seong-Jin Cho | F Major | 0 | 7B | 129 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Ponce: Estrellita | Manuel Ponce, Cocomi, 佐藤晴真, Miyuji Kaneko | E Major | 1 | 12B | 78 BPM |